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Somewhere Towards the End: A Memoir, by Diana Athill
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Winner of the 2009 National Book Critics Circle Award in Autobiography and a New York Times bestseller: a prize-winning, critically acclaimed memoir on life and aging ―“An honest joy to read” (Alice Munro).
Hailed as “a virtuoso exercise” (Sunday Telegraph), this book reflects candidly, sometimes with great humor, on the condition of being old. Charming readers, writers, and critics alike, the memoir won the Costa Award for Biography and made Athill, now ninety-one, a surprising literary star.Diana Athill is one of the great editors in British publishing. For more than five decades she edited the likes of V. S. Naipaul and Jean Rhys, for whom she was a confidante and caretaker. As a writer, Athill has made her reputation for the frankness and precisely expressed wisdom of her memoirs. Now in her ninety-first year, "entirely untamed about both old and new conventions" (Literary Review) and freed from any of the inhibitions that even she may have once had, Athill reflects candidly, and sometimes with great humor, on the condition of being old―the losses and occasionally the gains that age brings, the wisdom and fortitude required to face death. Distinguished by "remarkable intelligence...[and the] easy elegance of her prose" (Daily Telegraph), this short, well-crafted book, hailed as "a virtuoso exercise" (Sunday Telegraph) presents an inspiring work for those hoping to flourish in their later years.
- Sales Rank: #111242 in Books
- Brand: W. W. Norton & Company
- Published on: 2009-12-07
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .60" w x 5.50" l, .40 pounds
- Binding: Paperback
- 182 pages
- Great product!
From Publishers Weekly
When it comes to facing old age, writes Athill, there are no lessons to be learnt, no discoveries to be made, no solutions to offer. As the acclaimed British memoirist (who wrote about her experiences as a book editor in Stet) pushes past 90, she realizes that there is not much on record on falling away and resolves to set down some of her observations. She is bluntly unconcerned with conventional wisdom, unapologetically recounting her extended role as the Other Woman in her companion's prior marriage—then explaining how he didn't move in with her until after they'd stopped having sex, which is why it was no big deal for her to invite his next mistress to move in with them to save expenses. She is equally frank in discussing how, as their life turns sad and boring, she copes with his declining health, just as she cared for her mother in her final years. Firmly resolute that no afterlife awaits her, Athill finds just enough optimism in this world to keep her reflections from slipping into morbidity—she may not offer much comfort, but it's a bracing read. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Athill spent more than fifty years editing writers including Philip Roth, Norman Mailer, Jean Rhys, and V. S. Naipaul. In later life, she "had the luck to discover" that she could write; her book-world memoir, "Stet," appeared when she was eighty-three. Now, at ninety-one, she offers a spry dispatch on the condition of being elderly, having realized that copious literature describes the experience of youth, "but there is not much on record about falling away." Her perspective is both remorseless and tender as she considers the waning of her sexual desire, the sharpening of her atheist resolve, her increasing preference for nonfiction rather than novels ("I no longer feel the need to ponder human relationships . . . but I do still want to be fed facts"), and the truth that, even in her advanced state, much of her time is taken up with caring for those still older. The achievement of Athill's work is its refusal to reduce the specificities of her captivating life to homilies about wisdom.
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From Bookmarks Magazine
Somewhere Towards the End isn't the first book to describe in detail the process of "falling away," the author's apt euphemism for the decline one experiences in old age. Critics compare Athill's memoir to John Bayley's Elegy for Iris and Nora Ephron's I Feel Bad About My Neck, or the fiction of Philip Roth, Alice Munro, and John Updike. But Athill writes with a nothing-to-lose attitude that brings dignity to a process so often marked by the inevitable slowing of the mind and the deterioration of the body. This is a remarkable memoir, not the least for its honest approach to the end of life. "There are no lessons to be learned, no discoveries to be made, no solutions to offer," Athill writes with ßaplomb. "I find myself left with nothing but a few random thoughts."Copyright 2009 Bookmarks Publishing LLC
Most helpful customer reviews
25 of 25 people found the following review helpful.
I NEED MANY MORE THAN 5 STARS FOR THIS BOOK.
By J. B. Dunn
When was the last time you encountered someone new and the word 'wisdom' popped into your head? Not very often lately? Me neither. Until last week. I read right through this book, "Somewhere Towards the End," as soon as I finished reading right through Diana Athill's earlier book, "Stet."
I bought "Stet" because it was the memoir of a superb book editor, a job I had done once myself, though not superbly. She had been one of the founders of a small, elite British house and worked with Mailer, Vidal, and Updike to name but three of their stable.
I bought "Somewhere Towards The End" because I was wondering what it is like to be old. I knew about arthritis, wrinkles and a sense of irrelevance. Who doesn't? I had been wondering if there was anything more appealing to be said for it. Diana Athill was close to 90 when she wrote this book, and the answer she personifies is 'Yes, there is.'
You see from the first page that she herself is a wonderful writer, a very unusual writer, and she must have been hell on wheels as an editor. (Not in the way you may be thinking though; Gordon Liss she is not. Her insights are penetrating, but her touch is very light., just short of self- effacing.) She embodies more than a few paradoxes. She she did not bring the kind of clear, rational insights to her own personal and financial life that she invested in her authors' books. She is quite frank about it, but never self-pitying. Fortunately for the reader, she made interesting mistakes with interesting people. One of the things that charmed and fascinated me is how lucidly and candidly she writes about her misadventures.
One minute she seems quite eccentric and the next you may realize that you've done the same thing for the same reason but never quite admitted the latter to yourself. She is extremely discrete about the affairs of others but not at all politically correct about her own sexual history. Nor does she romanticize the emotional history that went along with it. And outlives it.
I hope I have done this book and this writer justice. She has had a real impact on the way I look at some things, and I hope many others will get the same opportunity.
1 of 1 people found the following review helpful.
Well written
By SandySEPA
A very well written work, part memoir, part description of her current life in old age. Satisfies the curiosity in some of us Boomers about what it is like to be in late old age.
She is an interesting person, being very unlike most women- many lovers, never married or had children, and (almost) never missing those things. Nevertheless ended up in a wife-like caring role for her companion of over forty years (but lover for only eight), and her reasons for taking on that role willingly illuminate the essentials of strong human bonds.
I couldn't put the book down. Excellent.
5 of 5 people found the following review helpful.
An insightful author comes to grips with what's over the hill
By Sharon Isch
I first became acquainted with the writing of Diana Athill in "Stet," her insider's look at her 50+ years of working with the acclaimed British publisher Andre Deutsch and editing the writings of Jean Rhys, V. S. Naipul, Philip Roth, Norman Mailer and other now-famous authors.
In "Somewhere Towards the End," Athill approaches the onset of her nineties with an amusing and deeply personal memoir about the ups and downs of old age.
Athill's insights into what's likely to lie over the hill intrigue me, especially when they direct my sights to aspects of growing old I'd not thought much about, if at all. For example, just when you reach that age where you've promised yourself you'd give up the car keys, your feet give out. Or the happy discovery that you've still got it in you to learn how to become good at something entirely new and unrelated to what you'd made a career of. Or that you'd finally reached the age where it's permissible to be a curmudgeon. Or belatedly come to the realization that the good family genes you'd lucked into and always figured would give you a good shot at living long and then leaving this world without much of a fuss almost always come with a deeply devoted daughter attached to smooth the way (a key ingredient she lacks, as do I. Oops. )
As I write this, Diana Athill's in her mid 90s and I'm looking forward to her next book "Letters to a Friend," which is getting excellent reviews in Britain, but is not yet available here. In the meantime, I recommend her 45-minute 2004 interview on the BBC's "Desert Island Discs". I've inserted a link in the comment below.
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