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Mercy Thompson is a shapeshifting coyote and honorary member of the Tri-Cities werewolf pack. When the pack stumbles upon the buried bones of numerous dead children, she shapeshifts into a mystery of the legendary fae - a mystery that draws Mercy's stepdaughter Jesse into the fray! The supernatural romance series Mercy Thompson continues in this all-new, original story by New York Times bestselling author Patricia Briggs, exclusively created for the comic book medium!'
- Sales Rank: #28292 in eBooks
- Published on: 2015-06-17
- Released on: 2015-07-15
- Format: Kindle eBook
About the Author
#1 New York Times bestselling author Patricia Briggs lives in Washington State with her husband, children, and a small herd of horses.
Rik Hoskin is a UK-based writer of science fiction novels and comic books. He has written over twenty novels, working mostly under the pen-name "James Axler." As Axler, Rik has been the primary writer of the Outlanders series since 2008, and has also contributed five books to the Deathlands series. In the comic book field, Rik has written Superman, Star Wars, Doctor Who, Mercy Thompson and various DreamWorks characters including Shrek, helped develop a successful Spider-Man title aimed at younger readers, and has written approximately 400 stories for Disney. He is currently writing a science fiction novel for Resurrection House under his own name, and a graphic novel for US comic book publisher, Dynamite.
Most helpful customer reviews
34 of 34 people found the following review helpful.
Bad little children are Tasty!
By Leiah
"All the ancient classic fairy tales have always been scary and dark." -Helena Bonham Carter
I should probably be embarrassed to say this, but here goes. I have never read a graphic novel. I know. Loser, right? But it is something that simply never really interested me. Oh, I read comics when I was a kid. I remember walking to the market when II was able to pull enough pennies together for a comic or two, and I cherished them. But I never really came across a graphic novel whose concept interested me.
When I was offered “Hopcross Jilly” for a review, it was a perfect opportunity to check out the genre and see what I thought with an author whose work I know I like. The fact that it also features Jesse, daughter to Adam Hauptman and step-daughter to Mercy Thompson, was a plus.
I must say, my personal feelings are mixed. That is the problem with building a picture of an authors characters up in your mind over time. If the picture you see, whether on screen or in print is different from what you expect, it can be disappointing. Adam didn’t look anything like I pictured him, though Jesse was a good fit. Mercy? Not so much.
Now the story, I liked that. Jesse has a really hard time in high school. Well, when your father is the Alpha of the local Pack, and the face of werewolves all over, kids can be vicious. Since kids can be more vicious than a school of rabid piranha anyway, add in the fact that your dad is Top Were and your life can be utterly miserable. That only gets worse when the pack finds the bodies of four children - then four more, then four more, and four more - buried ritualistically on an abandoned farm. And when one of the bodies happens to be the aunt of the Queen Mean Girl in school, things get even worse.
I can’t say the graphic novel format was my favorite way to read the story – but that is personal preference, and has nothing to do with whether it was well done or not – because it really was well done. Anything from Patricia Briggs I can pretty much expect to be exceptional, and the art and storyline are just that. Simply a matter of taste, but if you like graphic novels, I will highly recommend this. I believe she also has other graphic novels out – give them a look if you are a graphic novel buff.
I received Hopcross Jilly from the publisher in exchange for a realistic review. All thoughts are my own.
12 of 13 people found the following review helpful.
Hansel & Gretel it is a good thing you never met Hopcross Jilly!
By Amazon Customer
WHAT I THINK ABOUT THIS BOOK:
FIRST, let's address the formal components of the book.
The cover image (the first image, located at the top left of this post), as you can see, is vibrant, even while the artist, Tom Garcia and colorist, Mohan, chose to set the mood with somber colors. Given that there is a giant reaching over the house, the image should convey an image of horror and forbidding. Looking, however, at Mercy in her fighting stance with one fist clenched and leaning forward to meet the evil head on, it seems to evoke more a feeling of "Let's dance!" than of unapproachability. The light over part of the scene shows hope. So, I think the cover is outstanding in that it leads us to want to know more, and not be afraid to open the book and turn the pages.
Inside, where dark forces are at play, somber blues, grays, blacks, punctuated with brick reds and reds to warm the image, a bit--just like the cover. The pages dealing with the high school are full of light, colors, and openness. So, Garcia and Mohan did very well with the use of color is setting the scenes and atmosphere. Additionally, the images are just beautiful. To say that I like the graphic images would be an understatement.
SECOND: Audience: In the early days of comics, the "funnies" were for children, fairly exclusively. Since the growth and popularity of the graphic novel, the line is much harder to draw. (no pun intended). Graphic novels made comics acceptable. They also went from "episodic" publications to full novels with a beginning, middle, and end--told in pictures. So, then given those brief considerations of audience, just who is the audience for Hopcross Jilly? At first blush, most would think it a YA (young adult) novel. This could be true, especially with Jesse as a high schooler who takes center stage in the story.
But, then we have some really gruesome scenes like the finding of children's bodies on the property in question, and the apparent mass murder of children. And then, in a scene much like Edgar Allen Poe's, Tell Tale Heart, parts of the deceased children were buried under the floorboards--here, finger bones and toe bones were buried like that. In the book, the fae tell the story about one who ate the fingers and toes of bad children.
So, the sheer gruesomeness of some of the scenes do not seem appropriate for children. But then, again, modernly, many children from middle schools go to see violent movies and read other books focusing on violence; and what child hasn't heard a violent fairy tale [e.g. the witch who ate children in Hansel and Gretel.]?
THIRD: The Story: I mentioned, above, that the story has a beginning, middle, and end; moreover, given the size of the book, it is large enough to be a graphic novel. But, note, just because it has a complete story arc and is large enough to be a book, doesn't mean it is a graphic novel. Two things are at play, here:
First, it was the intention of Patricia Briggs and Dynamite Entertainment to create this book as a "comic," exclusively. [4]
Second, the book was originally published in episodes, just like a comic book and later (i.e., now) those episodes have been assembled into the complete story under one cover. These two things are dispositive to the issue of whether or not the book is a comic or a graphic novel.[4]
Next, let's take a look at Jesse's part in this gruesome story. In the series most of the main characters get to be center stage for a while--along with Mercy--to have their story told. Like many of the books in the series, Jesse gets to have her story told (well, at least part of it). While the story starts out with Mercedes (Mercy), Jesse soon takes center stage in the story.
As I mentioned, above, one of the things that makes us all suspect that the audience is for young people is that Jesse, a high school student, is one of the main parts of the story. This fact, alone, makes the story very appealing to young people. And then, of course, the story is told graphically, in the comic format--also appealing. We get to see what is going on with her, what problems she has, and also, how she faces those problems. Moreover, the high school, as a setting, is important for part of the story. We get to see Jesse in a high schooler's environment, high school. I can't tell you more without giving away some important facts relating to the major thrust of the story, so we must leave well enough, alone.
FINALLY: Satisfaction: To most of us, we judge whether or not the story gives us satisfaction in the reading. In this case, however, the story is told graphically, in comic book form. Even so, we still might ascertain whether or not the reading and visual parts of the story work as a cohesive whole in providing adequate satisfaction to say that the story was "satisfying," was "worth it," or was "good."
So, here's what I can tell you without giving away important aspects of the story:
The formal components of the book worked very well. That is to say, I really loved the artwork, the colorists concepts and execution in setting the tone of the various scenes. Very well done! The cover and story pages were just simply beautiful to see and read.
[7]
Whether or not the book is called a comic book or a graphic novel makes "no nevermind to me." All I mean, is that I believe a story will rise or fall regardless of what it is labeled. So, I won't enjoy it more as a graphic novel than I will a comic. The content is more important to me, so I do not knock down a story "simply because it is a comic."
It was very gratifying to see Jesse get her day in the sun. Moreover, that Briggs was able to do that without lessening Mercy Thompson's appearances was hugely satisfying. To those of us that love Mercy, we want to see her, and that Briggs accomplished this without losing the story of the high school girl, Jesse, was really great.
In the reading of the book, I sat down to read and read straight through to the end of the book. I would not, I could not, put the book down (so to speak). The story was very entertaining and had me from the beginning pages.
[8]
What I didn't like about the book. Well, I would like to have seen more of Adam's pack and a bit more interaction with them. Also, I would love to have seen a little bit more involvement from one or two people from the community. A teacher, perhaps, or one of the police officers who hasn't been able to rest since the first child disappearances. Perhaps, even a concerned citizen watch member who has been researching and tracking the disappearances for years, but no one would listen to him or her. The story, if anything, is lacking more involvement with the community. I mean, if the high schoolers are so upset by this, where are the parents--do they not care? Where are the marches and the community searches for the more than twenty missing children? Where is the community outrage? We see it everyday on our televisions when one child is murdered or has gone missing. So, this part of the story just didn't seem true to the theme of missing children. IT LACKS THREE DIMENSIONALITY! And, also, while some might object to the minor amount of cursing in the book, I found it was not offensive to me.
Overall, with everything considered. I enjoyed the story
and feel my money was well spent on my hardback
edition of the Mercy Thompson: Hopcross Jilly, book. [9]
Overall, I enjoyed the story, beautiful art- work, and the courage to put the gruesome story out in publica- tion. I am sure young people will enjoy it. I certainly did. Perfect? No, the story is not perfect. But, it did pro- vide an overall satisfac- tion in the reading.
RATING:
[10]
Given all of my, above, considerations regarding the book, Mercy Thompson: Hopcross Jilly, including the formal components, including the graphics and use of color, of the audience, the story, and the overall satisfaction I felt, balancing the positive against the things I didn't like, I give this book a rating of 4.0 stars out of 5. To see this review with all the graphics you can find it at Sharon's Love of Books.
8 of 9 people found the following review helpful.
Fey have weird likes in this one.
By Raquel
I love this series and this definitely lives up to the rest of the books. I do recommend though if you haven't read any of her previous books to read up to at least Frost Burned which is the seventh book in the series this one is set between that one and Night Broken. So if you try to read this before the series you will spoil yourself for the other books if you plan to read the series.
Another note if you finally want to see what Zee looks like with out any glamour on read this! I finally got to see what he looks like. I haven't read the other graphic novel so I am not sure if he is in the other one but he is in this one. I was surprised, and why does he have to hide what he really looks like? I bet it is because he doesn't want to be mauled over by all the girls that think he is cute.
We also get to see a lot of Mercy's step daughter Jesse you don't see to much of her in the main series just snip its but this graphic novel kind of revolves around her and the new friend she meets. This graphic novel was action packed and sucked me into the story right away.
The only character I didn't really feel was portrayed correctly or drawn as how I imagine him is Mercy's husband Adam. It just seemed off of what I was picturing. Also aren't coyotes smaller than wolves? It seemed like Mercy's coyote and the wolves seemed the same height. I could be wrong and it was just placement that was making them look the same size but I am not sure.
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