Free PDF The Art of WALL.E, by Tim Hauser
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The Art of WALL.E, by Tim Hauser
Free PDF The Art of WALL.E, by Tim Hauser
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Pixar Animation Studios, the innovators behind Toy Story, Finding Nemo, and Ratatouille, created its latest genre-defying film with an intriguing and unorthodox question in mind: What if mankind had to leave Earth, and somebody forgot to turn off the last robot? WALLE (Waste Allocation Load Lifter-Earth Class) is this last, soulful robot. When his lonely work is interrupted by the arrival of the sleek probe-droid EVE, a rollicking adventure across the galaxy ensues.
The Art of WALLE features the myriad pieces of concept art on which this fantastic, futuristic film was built, including storyboards, full-color pastels, digital and pencil sketches, character studies, color scripts, and more. Astute text-featuring quotes from the director, artists, animators, and production team-unearths the filmmakers' historical inspirations and recounts the creative process in intimate detail. This richly illustrated portal into the artistic spirit of Pixar reveals a studio confidently pushing the limits of animation.
- Sales Rank: #262881 in Books
- Brand: Hauser, Tim/ Stanton, Andrew (FRW)
- Published on: 2008-04-30
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .83" w x 11.25" l, 2.60 pounds
- Binding: Hardcover
- 160 pages
Review
REBECCA MURRAY, ABOUT.COM
The perfect companion piece to PIXAR's animated science fiction tale, The Art of WALL-E is not just a pretty coffee table book. The Art of WALL-E is a fascinating look behind the scenes at the origin of WALL-E and the film's development.
Tim Hauser's The Art of Wall-E (Chronicle) provides a mesmerizing behind-the-scenes look at the movie's origin and creation, lushly illustrated with reproductions of concept art (storyboards, character sketches, and full-color pastels, and more) accompanied by production crew quotes. The coherent text traces the importance of visual storytelling in the film, which has very little dialogue, touching on silent movie comedians, pantomime acting, and the creative freedom of animation. This handsome volume will appeal to teens interested in the history of cinema, movie production, and animation, and would make an intriguing addition to classroom studies in these areas. —School Library Journal
About the Author
Tim Hauser has been a writer, creative executive, and producer in animation for over 20 years. He lives in Los Angeles.
Andrew Stanton is the director of WALL.E and Finding Nemo, and is the co-director of A Bug's Life.
Most helpful customer reviews
0 of 0 people found the following review helpful.
The "E" in Wall.E stands for Excellent
By Stephen Rustad
The "Art of ---- " books that are published in connection with the release of (mostly) animated films have evolved over the years from expensive, large format, coffee table smashers to smaller (and thankfully less expensive) formats. However, the artwork between the covers of the latest generation of these books is no less lush. In the tradition of "Art of..." books, The Art of Wall.E documents the development of the characters and story line through a wealth of drawings that range from thumbnails to painstakingly executed paintings. It seems that in making these movies no possible detail is overlooked with the very talented folks at Pixar sweating even the smallest of them. If you enjoyed the movie, owning the book is a great way to enrich and prolong the experience.
29 of 31 people found the following review helpful.
Pastel Drawings Were Missing
By Parka
[[VIDEOID:25177521]]This book carried a much darker tone due to the environment -- Earth with tons of trash. The colour palette from the movie was limited to very dark tones. This book isn't as colourful compared to other Pixar art books as a result. But that is not a bad thing.
There are a few pages right up front on visual storytelling. It provides a nice introduction into the conceptualizing of the movie, and into producing a movie where the main characters have with no dialogue.
In the first chapter "Cinematic Dictation", it talks about how storyboards helps make the movie. Included in this chapter are lots of storyboards in different styles by different artists.
"Trash Planet" is the name of the second chapter. It also happens to be the same name for the movie for more than ten years before it was changed to WALL-E. Here we have sketches, paintings and colorscripts for the trash filled environment WALL-E was set in. There are also character designs for WALL-E and EVE. It's amazing to look at these paintings and see how they have evolved into actual movie scenes.
The last chapter is called "The Axiom". It contains concept art for the spaceship, robots, interiors. There are also discarded ideas such as using alien blobs instead of humans.
Missing from this book are pastel drawings, the common ingredient found in Pixar art books. Ralph Eggleston, production designer for Finding Nemo, changed to a different style!
This is another marvelous art book for any Pixar fan.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
0 of 0 people found the following review helpful.
Art of Wall-E book
By B. C. Nance
I'm always a fan of the "Art of [Pixar movie]" books. They are always packed full of wonderful goodness, and this one is no exception. It really shows how much goes into just the planning phases of Wall-E. The art and articles are such fun to browse through even if you're not interested in reading the interviews, etc. Readers who are not familiar with the animation process will find it intriguing to see how the film's style progressed and developed over time. A complete hit as usual with these books.
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